The Tailor-Made Man

Based on the true story of Hollywood heartthrob William ‘Billy’ Haines, a popular silent-screen MGM movie star who was fired by Louis B Mayer because of his refusal to give up his homosexuality. Written by Claudio Macor, The Tailor-Made Man recounts the rise, fall and ultimate demise of one of Hollywood’s leading men.

Director Robert McWhir has chosen to set the play in traverse, which allows the play to move at pace and serves the piece well. At times, though, its flexibility leads to too many scene changes that seem unfinished or unnecessary. Direction is complemented by David Shields’ pleasing design and Richard Lambert’s evocative lighting. Ultimately, though, there are too many unfulfilled scenes; ones that deserved more time to deliver the human stories. Or, perhaps, McWhir wanted to evoke the staccato nature of silent movies.

Performances are, on the whole, strong. Hugo Pilcher – with a look of the young Brando about him – is engagingly broody and suitably charismatic although doesn’t quite portray the emotional highs and lows of Haines. Gwithian Evans’ portrayal of Billy’s boyfriend, Jimmie Shields, is thoughtful and considered, bringing a sadness to the role that acted as the perfect foil to the higher-octane character of Haines. Shelley Rivers sweeps in and out with style and aplomb as Marion Davies, and Olivia Ruggiero is excellent in every role she delivers, especially Miss Carey. Dereck Walker as Louis B Mayer easily captures the movie mogul with his exceptional stage presence.

Whilst this is undeniably an enjoyable iteration of Macor’s play, it never quite realises its potential. 

Daryl Bennet