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Peter and Alice

5
Judi Dench and Ben Whishaw at the Noel Coward Theatre.
By Robert Iles - 26th Mar 2013

Is there a moment when we grow up, a moment when we leave our childhood behind and become an adult? Do we ever really leave our childhood behind? Do we embrace the past as being part of our present and future or do we try to hide from it through being unable to truly discard it?

Judi and Ben in Peter and AliceIn Peter and Alice, John Logan has imagined the conversation that may have taken place when Peter Llewelyn Davies (Ben Whishaw) met Alice Liddell Hargreaves (Judi Dench) at a Lewis Carroll exhibition in 1932. The play explores how these two people have lived, loved, accepted or rejected the renown that accompanied their link to a beloved childhood character. Alice Liddell, by now an old lady, found a comfort in the character Alice in Wonderland, a safe place of summer picnics and boats on the Isis. Llewelyn Davies in contrast struggled much more with his association with JM Barrie and Peter Pan and was less able to successfully cope with the notoriety that Peter Pan had brought him.

The play opens in a brown, musty store room and this is where Peter and Alice first meet. As they settle into conversation about their memories and begin to travel back into their childhoods we are transported into a Tenniel inspired, panto like ‘wonderland’. Some of the innermost thoughts and fears of the pair are voiced through the appearances of an exuberant Peter Pan (Olly Alexander) and the most perfect Alice in Wonderland (Ruby Bentall). Please indulge me while I enthuse for a moment - when young Alice first appeared, as if from a rabbit hole, I almost squealed with delight, she looked perfect. Every inch the Tenniel Alice I grew up with, her dress, her hair even the way she stood, she was my Alice and I loved her for it.

Judi Dench and Ben Whishaw were everything I’d hoped for and more. Dench is a delight to watch, her warmth and sparkle reached the back of the stalls with, it seemed, so little effort. Whishaw, however, quietly and almost imperceptibly, stole my heart and the underplayed tragedy of his character was so utterly moving that I will confess to a tear.

Ultimately, this play charmed and delighted me and I would recommend you try and see it.


Latest News & Reviews

19th Nov 24 :: Review: [title of show]
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11th Nov 24 :: Review: A Trio of Tennessee Williams
Seen at The Tobacco Factory Theatre, Bristol
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30th Oct 24 :: Review: Black is the Color of My Voice
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29th Oct 24 :: Review: The Creakers
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24th Oct 24 :: RTST Sir Peter Hall Director Award Scheme
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22nd Oct 24 :: UKTW Looking for new partners
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21st Oct 24 :: UK Theatre Awards
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Viewings over the last 14 days
 
A Trio of Tennessee Williams
Seen at The Tobacco Factory Theatre, Bristol
Posted 11th Nov 24 :: 162 views
The Chaos That Has Been and Will No Doubt Return
Seen at the Edinburgh Fringe, Summerhall
Posted 21st Aug 24 :: 157 views
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Seen at the Exeter Northcott Theatre
Posted 19th Oct 24 :: 109 views
Black is the Color of My Voice
Touring production seen in Worthing
Posted 30th Oct 24 :: 96 views
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A flea bite sparks a royal scandal in this razor-sharp exploration of power, desire, and Victorian hypocrisy.
Posted 23rd Oct 24 :: 93 views
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Posted 18th Oct 24 :: 91 views
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Seen at the Charing Cross Theatre.
Posted 18th Oct 24 :: 87 views
UK Theatre Awards
The Winners have been Announced.
Posted 21st Oct 24 :: 85 views
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Seen at the Theatre Royal Plymouth prior to London Christmas run.
Posted 29th Oct 24 :: 80 views
RTST Sir Peter Hall Director Award Scheme
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Posted 24th Oct 24 :: 79 views
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Posted 19th Nov 24 :: 76 views
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Posted 22nd Oct 24 :: 71 views
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Seen at the Edinburgh Fringe
Posted 18th Aug 22 :: 54 views
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Touring production seen at the Theatre Royal Plymouth.
Posted 2nd Apr 24 :: 45 views
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Seen at The Edinburgh Fringe, Underbelly Bristo Square
Posted 19th Aug 24 :: 43 views
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Seen at the Edinburgh Fringe, Pleasance Beyond
Posted 10th Aug 24 :: 41 views
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Seen at the Edinburgh Fringe, Pleasance Courtyard
Posted 18th Aug 24 :: 39 views
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Posted 8th Aug 24 :: 36 views
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