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We Shall Not Be explores the theatricality of activism and the covert politics of participatory art. It explores collectivity and isolation, exhaustion and revolt, authenticity and abstraction. It's about how social spaces are often spaces of performance, about the scripts we all follow. It's about how social spaces become occupied, about colonialism and the cannibal city. It involves ?acting badly' and a microphone with a life of its own... Whose voice is heard? What is permitted? What is out of view? Do we control our own language or does it control us?
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