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Stromgren is known for his expressive and physical dance where room is found for puppet theatre, chanting dancers, quirky and absurd humour, social commentary, playing football and classical dance, and since forming his ensemble in 1998 he has been in continuous demand.
There takes a look at Europe, where absurdity and playfulness will undoubtedly override rhetoric and politics, which will be accentuated by the dancers use of physical and vocal gibberish in a work which will once again verge on dance comedy but which will also deal with serious issues.