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Performance

VenueBirmingham Repertory Theatre
Also: The Door
TownBirmingham
CountyWest Midlands
From3rd February 2006
To18th February 2006
WhenMon-Sat 19:30. Thu, Sat 14:30. Tue 7th 19:00.
Birmingham Repertory Theatre (V143)
Current/Future Listings
Listings Archive

Festen

Work:: Festen (S1067235414)

In Festen, patriarch Helge Klingenfelt is celebrating his 60th birthday with his family at a magnificent old hotel in the Danish countryside. Gathered together are his loyal wife Elsa, his daughter Helene, and sons Christian and Michael. As the evening progresses, Christian feels compelled to break the silence surrounding a dark family secret. The effect is explosive and sets the tone for a celebration no-one will forget.
Author Thomas Vinterberg
Author Mogens Rukov

Production:: (T0151700271)

Producer Bill Kenwright
Producer Marla Rubin (by arrangement with Birmingham Repertory Theatre Company)
Adapted by David Eldridge
Director Rufus Norris
Design Ian Macneil
Costume Joan Wadge
Lighting Jean Kalman
Music Orlando Gough
Sound Paul Arditti
Performer Christian Coulson (Christian)
Performer Lucianne McEvoy (Mette)
Performer Laurence Matthew (Michael)
Performer Will Baron (Lars)
Performer MIranda Foster (Helene)
Performer Belinda Sinclair (Else)
Performer Rupert Frazer (Helge)
Performer Camilla Arfwedson (Pia)
Performer David Beames (Helmut)
Performer Walter Hall (Grandfather)
Performer Neal Barry (Kim)
Performer Mark Theodore (Gbatokai)

Listing:: L46978670




Reviews

Reviews


UK Theatre Web: 08Feb06: Star RatingStar RatingStar RatingStar Rating
Festen Birmingham Rep Tuesday 7 February 2006 This dramatisation by David Eldridge based on the Dogme film and play by Thomas Vinterberg, Mogens Rukov and Bo Hr. Hansen makes for an exhausting on stage experience for the actors and an emotionally draining experience for the audience too. Birmingham Rep is the first call on a long UK tour that will culminate in a Broadway stint. The story of a father’s 60th birthday is often a reason for a family celebration, but recent events, the suicide of eldest daughter Linda makes it a time of horrifying revelations. Christian Coulson plays Linda’s twin brother clearly occupied with more than the expected happiness of being home for a birthday party. It is in his character that we see the sorrow and desperation of what has happened. His younger brother Michael a people user if ever there was one is played excellently by Laurence Mitchell. Michael is a foul-mouthed character that shouts out his orders at wife and servants alike. He is also a rebel but still very much under the control of his father. Their father played eloquently by Rupert Fraser is a man who likes to be the centre of attention and obeyed by all and is partnered by a most complicit wife in Else. Belinda Sinclair’s character cannot believe what her beloved Christian is accusing husband Helge of having committed and is in total denial. Sister Helene played with the air of a free spirit so well by Miranda Foster invites her black boyfriend to the family party and we then see another side to this family that of racial intolerance. David Eldridge’s adaptation of this Danish play pulls away quickly all of the niceties that time and denial has overshadowed and the audience is left with the revelation that Helge was a child abuser and controller of everything around him. Rufus Norris directs an excellent cast in a powerful production that has an almost Henry James like undercurrent with the sound of children running, laughing and playing interspersed with the sound of running water a reminder that the suicide of twin sister Linda was by drowning in a bath. Designer Ian MacNeil’s set makes full use of the huge stage and the black and grey adds to the atmosphere in which the story is set. All in all a most thought provoking evening and one which I am sure will challenge the views of many. Clive Fuller

User Reviews

USER (08Feb06): Festen Birmingham Rep Tuesday 7 February 2006 This dramatisation by David Eldridge based on the Dogme film and play by Thomas Vinterberg, Mogens Rukov and Bo Hr. Hansen makes for an exhausting on stage experience for the actors and an emotionally draining experience for the audience too. Birmingham Rep is the first call on a long UK tour that will culminate in a Broadway stint. The story of a father’s 60th birthday is often a reason for a family celebration, but recent events, the suicide of eldest daughter Linda makes it a time of horrifying revelations. Christian Coulson plays Linda’s twin brother clearly occupied with more than the expected happiness of being home for a birthday party. It is in his character that we see the sorrow and desperation of what has happened. His younger brother Michael a people user if ever there was one is played excellently by Laurence Mitchell. Michael is a foul-mouthed character that shouts out his orders at wife and servants alike. He is also a rebel but still very much under the control of his father. Their father played eloquently by Rupert Fraser is a man who likes to be the centre of attention and obeyed by all and is partnered by a most complicit wife in Else. Belinda Sinclair’s character cannot believe what her beloved Christian is accusing husband Helge of having committed and is in total denial. Sister Helene played with the air of a free spirit so well by Miranda Foster invites her black boyfriend to the family party and we then see another side to this family that of racial intolerance. David Eldridge’s adaptation of this Danish play pulls away quickly all of the niceties that time and denial has overshadowed and the audience is left with the revelation that Helge was a child abuser and controller of everything around him. Rufus Norris directs an excellent cast in a powerful production that has an almost Henry James like undercurrent with the sound of children running, laughing and playing interspersed with the sound of running water a reminder that the suicide of twin sister Linda was by drowning in a bath. Designer Ian MacNeil’s set makes full use of the huge stage and the black and grey adds to the atmosphere in which the story is set. All in all a most thought provoking evening and one which I am sure will challenge the views of many. Clive Fuller
CORONAVIRUS: All venues in the UK were shut down on March 16, 2020, and the restrictions were finally lifted on July 19, 2021. It is important to mention that the UK Theatre Web archive listings (iUKTDb) from March 2020 to July 2021 might not be accurate due to the lack of information regarding rescheduled and cancelled shows.

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