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Details

Feel Me archiveWho do you care about and why? Feel Me is a new interactive theatre show from The Paper Birds, UK leaders in devised verbatim theatre. Feel Me asks, via your mobile phone, who and what you care about from the stories unfolding live on stage in front of you. A stunning mixture of live performance, film, projection, dance and music, Feel Me will explore the different lenses through which we are told, and connect to stories in the modern digital world. Worlds unfold from backpacks, and tents are constructed and dismantled again, each scene and location temporary, like a transient teenager in search of safety, acceptance and a new place to call home. An interrogation of empathy, Feel Me asks what makes us 'feel' for another person, as we journey through landscapes and across borders, through weather storms and paperwork, changing seasons, endless queues and interviews. Feel Me is made by The Paper Birds in partnership with Theatre Centre. A co-production with New Wolsey Theatre. Supported by Padepokan Seni Bagong Kussudiardja and The Point, Eastleigh. Funded by British Council International Collaboration & Arts Council England.

Cast/Performers

Lil McGibbon, Daz Scott, Kiren Virdee

Creatives/Company

Author: Jemma McDonnell
Presented by: The Paper Birds
Director(s): Jemma McDonnell, Kylie Perry, Munya Muchati (film director / movement consultant)
Design(s): Imogen Melhuish, Ben Glover (video)
Sound: Fraser Owen
Music: Fraser Owen
Other(s): Bella Meyersohn (video associate), Kris Sum (data visualisation coding consultant), Fraser Owen (touring technician)
Lighting: Mat Spencer (and technical consultant)

Feel Me

Feel Me (Play) production archive for QTIX code T185329660. Details of all Feel Me archived productions can be found under the QTIX code: S1658636231

Current Listings

Current Feel Me what's on and ticket details

Archive Listings

12 Nov 24
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13 Nov 24
Theatre Royal Plymouth
Plymouth, Devon
Performance Details => Venue archive
7 Nov 24Queen's Theatre Hornchurch
Hornchurch, Essex
Performance Details => Venue archive
6 Nov 24Warwick Arts Centre
Coventry, West Midlands
Performance Details => Venue archive
15 Oct 24
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16 Oct 24
The Blake Theatre
Monmouth, Monmouthshire
Performance Details => Venue archive
9 Oct 24
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10 Oct 24
Home Theatre
Manchester, Greater Manchester
Performance Details => Venue archive
30 Apr 24
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1 May 24
The Tobacco Factory Theatres
Bristol, City of Bristol
Performance Details => Venue archive
26 Apr 24Norden Farm Centre for the Arts
Maidenhead, Berkshire
Performance Details => Venue archive
27 Mar 24
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28 Mar 24
Greenwich Theatre
Outer London, Greater London
Performance Details => Venue archive
25 Mar 24
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26 Mar 24
Northcott Theatre
Exeter, Devon
Performance Details => Venue archive
19 Mar 24
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20 Mar 24
Mercury Theatre
Colchester, Essex
Performance Details => Venue archive
27 Feb 24
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28 Feb 24
Stephen Joseph Theatre
Scarborough, North Yorkshire
Performance Details => Venue archive
22 Feb 24The ShowRoom
Chichester, West Sussex
Performance Details => Venue archive
20 Feb 24
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21 Feb 24
Theatre Royal
Bath, Bath & North East Somerset
Performance Details => Venue archive
7 Feb 24
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8 Feb 24
Lawrence Batley Theatre
Huddersfield, West Yorkshire
Performance Details => Venue archive

Reviews

Reviews


Chris M: 28Mar24: Star Rating

The show tries to build empathy by telling a story of a single displaced person, but does so in an abstract way where the audience never gets to know the character - doesn't quite meet the show's aim. The story is retold multiple times through various art forms, dance, projection, video etc. It feels like a recent graduate has tried to fit all of the techniques they've learned into the show, rather than them being additive. None of the repeated versions add anything to the narrative, except for runtime. Lastly, the use of audience participation via smartphones, lauded in other reviews, is incredibly shallow, it doesn't help us connect with the character or the story. The questions asked of the audience are leading, e.g., you're asked if you feel empathy with forced displacement three times throughout the show - the audience knows the desire of the showmakers is for empathy to increase over time, to not answer in the positive is to be a contrarian. Would suggest going back to the drawing board, and asking what is the objective behind the show - if it's truly about raising awareness and empathy for forced displacement (and not purely artistic grandstanding) then creating a show where the character and their story really shines would be better.


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CORONAVIRUS: All venues in the UK were shut down on March 16, 2020, and the restrictions were finally lifted on July 19, 2021. It is important to mention that the UK Theatre Web archive listings (iUKTDb) from March 2020 to July 2021 might not be accurate due to the lack of information regarding rescheduled and cancelled shows.

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