12 Nov 24 to 13 Nov 24 | Theatre Royal Plymouth Plymouth, Devon Performance Details => Venue archive |
7 Nov 24 | Queen's Theatre Hornchurch Hornchurch, Essex Performance Details => Venue archive |
6 Nov 24 | Warwick Arts Centre Coventry, West Midlands Performance Details => Venue archive |
15 Oct 24 to 16 Oct 24 | The Blake Theatre Monmouth, Monmouthshire Performance Details => Venue archive |
9 Oct 24 to 10 Oct 24 | Home Theatre Manchester, Greater Manchester Performance Details => Venue archive |
30 Apr 24 to 1 May 24 | The Tobacco Factory Theatres Bristol, City of Bristol Performance Details => Venue archive |
26 Apr 24 | Norden Farm Centre for the Arts Maidenhead, Berkshire Performance Details => Venue archive |
27 Mar 24 to 28 Mar 24 | Greenwich Theatre Outer London, Greater London Performance Details => Venue archive |
25 Mar 24 to 26 Mar 24 | Northcott Theatre Exeter, Devon Performance Details => Venue archive |
19 Mar 24 to 20 Mar 24 | Mercury Theatre Colchester, Essex Performance Details => Venue archive |
27 Feb 24 to 28 Feb 24 | Stephen Joseph Theatre Scarborough, North Yorkshire Performance Details => Venue archive |
22 Feb 24 | The ShowRoom Chichester, West Sussex Performance Details => Venue archive |
20 Feb 24 to 21 Feb 24 | Theatre Royal Bath, Bath & North East Somerset Performance Details => Venue archive |
7 Feb 24 to 8 Feb 24 | Lawrence Batley Theatre Huddersfield, West Yorkshire Performance Details => Venue archive |
The show tries to build empathy by telling a story of a single displaced person, but does so in an abstract way where the audience never gets to know the character - doesn't quite meet the show's aim. The story is retold multiple times through various art forms, dance, projection, video etc. It feels like a recent graduate has tried to fit all of the techniques they've learned into the show, rather than them being additive. None of the repeated versions add anything to the narrative, except for runtime. Lastly, the use of audience participation via smartphones, lauded in other reviews, is incredibly shallow, it doesn't help us connect with the character or the story. The questions asked of the audience are leading, e.g., you're asked if you feel empathy with forced displacement three times throughout the show - the audience knows the desire of the showmakers is for empathy to increase over time, to not answer in the positive is to be a contrarian. Would suggest going back to the drawing board, and asking what is the objective behind the show - if it's truly about raising awareness and empathy for forced displacement (and not purely artistic grandstanding) then creating a show where the character and their story really shines would be better.