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T0757195743Winner of the Bruntwood Prize for Playwriting 2022, Nathan Queeley-Dennis' debut play is a love letter to Birmingham, exploring Black masculinity through Beyoncé lyrics, techno raves and the deeply intimate relationship between a man and his barber.Producer Ellie Keel Productions. Producer Paines Plough. Producer Belgrade Theatre (in association with Royal Exchange Theatre). Director Dermot Daly. Design Ruta Irbite. Lighting David Doyle. Music Tom Foskett-Barnes. Sound Tom Foskett-Barnes. Stage ManagerAime Neeme. Performer Nathan Queeley-Dennis. | |
| 4 Nov 24 to 16 Nov 24 | Soho Theatre, Inner London :: V1035 listing details L666905115 |
| 31 Oct 24 to 2 Nov 24 | Traverse Theatre, Edinburgh :: V605 listing details L0800445246 |
| 28 Oct 24 to 30 Oct 24 | Royal Exchange, Manchester :: V491 listing details L962326885 |
| 23 Oct 24 to 25 Oct 24 | Leeds Playhouse (formerly West Yorkshire Playhouse), Leeds :: V977 listing details L01033479820 |
| 15 Oct 24 to 19 Oct 24 | Bristol Old Vic, Bristol :: V857 listing details L0609358469 |
| 8 Oct 24 to 9 Oct 24 | Northern Stage, Newcastle upon Tyne :: V568 listing details L313172511 |
| 2 Oct 24 to 5 Oct 24 | Birmingham Hippodrome, Birmingham :: V145 listing details L1813505443 |
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Trim? Fresh. Skin? Glowing. Vibes? Immaculate. Nathaniel is a serious romantic who sees love as a fine art. He's looking for the Mona Lisa to his da Vinci, and tonight is the night: his date with Destiny...'s Child.