The Royal Ballet - Les Sylphides/Sensorium/The Firebird
Work:: The Royal Ballet (S909)
Production:: Les Sylphides/Sensorium/The Firebird (T1647100118)
Originally called
Chopiniana,
Les Sylphides, seen this Season in a new staging my Monica Mason, is set to a sequence of Frederic Chopin's polonaises, mazurkas and waltzes for piano. Mikhail Fokine's choreography recreates the soft lines and lilting ballon of the Romantic style as a poet dances with a group of winged forest sprites or "sylphides". British choreographer Alastair Marriott who has enjoyed critical and audience acclaim with new work
Sensorium created for The Royal Ballet's First Drafts in the Clore and
Being and Having Been as part of the Inspired by Diaghilev Programme in the Linbury 2004 makes his third main stage work for the Company. His two previous main stage ballets are
Tanglewood (2005) and
Children of Adam (2007).
The Firebird was commissioned by Serge Diaghilev for Ballet Russes in 1910 and has subsequently been reworked by many choreographers, including both George Balanchine and Jerome Robbins. In 1926 Diaghilev commissioned Natalia Gontcharova to redesign
The Firebird after deterioration of the original Golovine designs. She produced a dazzling array of vibrant costumes and one of the most glorious and memorable backcloths used in ballet. The narrative, based on various Russian folk tales, follows Prince Ivan as he captures a magical firebird while out hunting and, in exchange for her freedom, he is given one of her feathers. Ivan then encounters a group of young women, led by the beautiful Tsarevna with whom he instantly falls in love only to be captured by the evil Kostchei's slaves and monsters. He summons the Firebird with her feather and she destroys Kostchei, freeing both Prince Ivan and the Tsarevna who marry in the ballet's magnificent final tableau.
Listing:: L1201544084
Current production:Work
Les Sylphides/Sensorium/The Firebird
Originally called
Chopiniana,
Les Sylphides, seen this Season in a new staging my Monica Mason, is set to a sequence of Frederic Chopin's polonaises, mazurkas and waltzes for piano. Mikhail Fokine's choreography recreates the soft lines and lilting ballon of the Romantic style as a poet dances with a group of winged forest sprites or "sylphides". British choreographer Alastair Marriott who has enjoyed critical and audience acclaim with new work
Sensorium created for The Royal Ballet's First Drafts in the Clore and
Being and Having Been as part of the Inspired by Diaghilev Programme in the Linbury 2004 makes his third main stage work for the Company. His two previous main stage ballets are
Tanglewood (2005) and
Children of Adam (2007).
The Firebird was commissioned by Serge Diaghilev for Ballet Russes in 1910 and has subsequently been reworked by many choreographers, including both George Balanchine and Jerome Robbins. In 1926 Diaghilev commissioned Natalia Gontcharova to redesign
The Firebird after deterioration of the original Golovine designs. She produced a dazzling array of vibrant costumes and one of the most glorious and memorable backcloths used in ballet. The narrative, based on various Russian folk tales, follows Prince Ivan as he captures a magical firebird while out hunting and, in exchange for her freedom, he is given one of her feathers. Ivan then encounters a group of young women, led by the beautiful Tsarevna with whom he instantly falls in love only to be captured by the evil Kostchei's slaves and monsters. He summons the Firebird with her feather and she destroys Kostchei, freeing both Prince Ivan and the Tsarevna who marry in the ballet's magnificent final tableau.
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