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Performance

VenueRoyal Opera House
Also: Linbury Studio, Ballet Studio, Clore Studio,Floral Hall
TownWest End
CountyGreater London
From26th October 2017
To27th October 2017
WhenOct 26, 27 at 19:30
Royal Opera House (V377)
Current/Future Listings
Listings Archive

Production Changes

Previous details associated with this item and date of change.
  • Date of change: 20 Jun 17 - T2001952047

The Royal Ballet - Kenneth MacMillan: a National Celebration - The Judas Tree

The Royal Ballet

Work:: The Royal Ballet (S909)


Production:: Kenneth MacMillan: a National Celebration - The Judas Tree (T2001952047)

On a building site in London's *East End, the Foreman's jealousy and betrayal bring about events of appalling violence. Kenneth MacMillan's The Judas Tree is his final ballet, and still his most controversial. MacMillan commissioned a score from Brian Elias for the ballet, which had its premiere in 1992. Both MacMillan and Elias were inspired not only by Biblical stories of betrayal but also by contemporary events - the violence in Tiananmen Square; the creation of the financial district in Canary Wharf. As MacMillan admitted of the finished work, 'There are things in me that are untapped and that have come out in this ballet that I find frightening'.
Choreographer Kenneth MacMillan
Music Brian Elias
Design Jock McFadyen
Lighting Mark Henderson

Listing:: L01631318874




Current production:Work

Kenneth MacMillan: a National Celebration - The Judas Tree

On a building site in London's *East End, the Foreman's jealousy and betrayal bring about events of appalling violence. Kenneth MacMillan's The Judas Tree is his final ballet, and still his most controversial. MacMillan commissioned a score from Brian Elias for the ballet, which had its premiere in 1992. Both MacMillan and Elias were inspired not only by Biblical stories of betrayal but also by contemporary events - the violence in Tiananmen Square; the creation of the financial district in Canary Wharf. As MacMillan admitted of the finished work, 'There are things in me that are untapped and that have come out in this ballet that I find frightening'.

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