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Performance

VenueSouthbank Centre
Also: Royal Festival Hall, RFH, Queen Elizabeth Hall, Purcell Room, Tuff Nutt Jazz Club
TownWest End
CountyGreater London
From26th June 2007
To27th June 2007
PricesFrom £12.00. To £55.00.
Southbank Centre (V423)
Current/Future Listings
Listings Archive

Rites - Klaus Obermaier

Rites

Work:: Rites (S1839671901)


Production:: Klaus Obermaier (T055443366)

Digital artist Klaus Obermaier, conductor Marin Alsop and the London Philharmonic Orchestra create a 21st century realisation of Igor Stravinsky's The Rite of Spring. As the London Philharmonic Orchestra play Stravinsky's driving, rhythmic score live, a single dancer, Julia Mach, performs on stage. Working with interactive designers from the Ars Electronica Futurelab, Obermaier creates a form of cyber choreography where performers and technology interact to create a completely new perception of the body. The audience experience fascinating distorted visual effects by wearing 3-D glasses, as real-time movements combine with virtual spaces and the dancer's body appears to deconstruct, morph, multiply and engulf the audience. Stravinsky's powerful music dictates the choreography, as well as the subsequent 3D projections. Philip Glass' Prelude from Akhnaten and Edgard Varese's urban masterpiece Arcana complete this evening of surprise and innovation. A production of Brucknerhaus Linz and Futurlab/Ars Electronica.
Music Philip Glass (Prelude from Akhnaten)
Music Edgard Varese (Arcaa)
Music Igor Stravinsky (The Rite of Spring)
Other Klaus Obermaier (digital artist)
Conductor Marin Alsop
Company London Philharmonic Orchestra
Conductor Marin Alsop
Performer Julia Mach (dancer)

Listing:: L1606437196

Royal Festival Hall



Klaus Obermaier

Digital artist Klaus Obermaier, conductor Marin Alsop and the London Philharmonic Orchestra create a 21st century realisation of Igor Stravinsky's The Rite of Spring. As the London Philharmonic Orchestra play Stravinsky's driving, rhythmic score live, a single dancer, Julia Mach, performs on stage. Working with interactive designers from the Ars Electronica Futurelab, Obermaier creates a form of cyber choreography where performers and technology interact to create a completely new perception of the body. The audience experience fascinating distorted visual effects by wearing 3-D glasses, as real-time movements combine with virtual spaces and the dancer's body appears to deconstruct, morph, multiply and engulf the audience. Stravinsky's powerful music dictates the choreography, as well as the subsequent 3D projections. Philip Glass' Prelude from Akhnaten and Edgard Varese's urban masterpiece Arcana complete this evening of surprise and innovation. A production of Brucknerhaus Linz and Futurlab/Ars Electronica. Royal Festival Hall

Reviews

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