Rambert Dance Company - Reflection/Linear Remains/Five Brahms Waltzes/A Tragedy of Fashion
Work:: Rambert Dance Company (S887)
Britain's biggest and most exciting touring dance company who often tour two programmes at a time. Dancing to a mixture of musical styles they provide enormously watchable evenings.
Production:: Reflection/Linear Remains/Five Brahms Waltzes/A Tragedy of Fashion (T1635027759)
Reflections - This new work by Fin Walker is a dynamic exploration about change and impermanence. The work is performed to a score that was created in tandem with the choreography.
Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy.
Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton.
A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed
A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time.
Listing:: L01289440602
Current production:Work
Reflection/Linear Remains/Five Brahms Waltzes/A Tragedy of Fashion
Reflections - This new work by Fin Walker is a dynamic exploration about change and impermanence. The work is performed to a score that was created in tandem with the choreography.
Linear Remains - Created by Rambert's Associate Choreographer, Rafael Bonachela, this is a fine example of his free-flowing approach to movement that fizzes with kinetic energy.
Five Waltzes in the Manner of Isadora Duncan - Choreographed for Rambert in 1976, this beautiful solo for a female dancer has been revived to mark the centenary year of its creator, Sir Fredrick Ashton.
A Tragedy of Fashion - In 1926 Rambert's Founding Choreographer, Sir Frederick Ashton, choreographed
A Tragedy of Fashion. No record of the choreography exists so, inspired by a few precious photos, Ian Spink reinterprets the work of our time.
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