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Performance

VenueLighthouse (previously known as Poole Arts Centre)
Also: Sherling Studio
TownPoole
CountyDorset
From28th May 2010
To29th May 2010
PricesFrom £16.50. To £20.50.
Lighthouse (previously known as Poole Arts Centre) (V910)
Current/Future Listings
Listings Archive

Birmingham Royal Ballet - Brouillards/The Dance House/Slaughter on Tenty Avenue

Birmingham Royal Ballet

Work:: Birmingham Royal Ballet (S0697032789)


Company Birmingham Royal Ballet

Production:: Brouillards/The Dance House/Slaughter on Tenty Avenue (T1929046755)

Three diverse works that each seek to preserve an individual moment in time. John Cranko's Brouillards takes inspiration from such fleeting images as rolling mists, the fall of autumn leaves, and the fragile strands of a spider's web. Meanwhile David Bintley's The Dance House honours a deceased friend of the Director, to a nostaligic but anarchic Shostakovich score. Finally Slaughter on Tenth Avenue is a crazy 30s comedy. After discovering a hitman in the audience is to target him as soon as his stage routine is over, our leading man has no option but to extend his energetic solo until the cops can arrive! A work of sparkling vitality and pure entertainment, the piece is the perfect ending to a programme of unforgettable moments.
Music Debussy (Brouillards)
Choreographer John Cranko (Brouillards)
Lighting Nicholas Ware (Brouillards)
Music Richard Rodgers (Slaughter on Tenth Avenue)
Choreographer George Balanchine (Slaughter on Tenth Avenue)
Design Kate Ford (Slaughter on Tenth Avenue)
Lighting Nicholas Royle (Slaughter on Tenth Avenue)
Music Shostakovich (The Dance House)
Choreographer David Bintley (CBE - The Dance House)
Design Robert Heindel (The Dance House)
Lighting Lisa J. Pinkham (The Dance House)

Listing:: L0675022903




Brouillards/The Dance House/Slaughter on Tenty Avenue

Three diverse works that each seek to preserve an individual moment in time. John Cranko's Brouillards takes inspiration from such fleeting images as rolling mists, the fall of autumn leaves, and the fragile strands of a spider's web. Meanwhile David Bintley's The Dance House honours a deceased friend of the Director, to a nostaligic but anarchic Shostakovich score. Finally Slaughter on Tenth Avenue is a crazy 30s comedy. After discovering a hitman in the audience is to target him as soon as his stage routine is over, our leading man has no option but to extend his energetic solo until the cops can arrive! A work of sparkling vitality and pure entertainment, the piece is the perfect ending to a programme of unforgettable moments.

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