The Bridge
Work:: The Bridge (S179484163)
The famous composer and guitarist Eduardo Martin joins the renowned young guitarist Ahmed Dickinson Cárdenas to create this duo that masterfully addresses the diverse tendencies and styles of the Cuban contemporary music scene.
Production:: (T1976411026)
The famous composer and guitarist Eduardo Martín joins the renowned young guitarist Ahmed Dickinson Cárdenas to create this duo that masterfully addresses the diverse tendencies and styles of the Cuban contemporary music scene. This proposal, with the full repertoire of Mtro. Martín explores Afro, classical and Anglo-Saxon pop among other varied musical genres that mix in the creative universe of this composer while using in a virtuous way multiple techniques that expand the expressive qualities of the guitar. The use of intelligent melodies, the approach to cultures and dissimilar times converge with the Afro-Caribbean nature trying to propose a musical framework in which the stylistic barriers disappear. When Cuban guitarist Ahmed Dickinson Cárdenas first heard the music of fellow countryman Eduardo Martín he felt euphoric. Martín's style has an expansive sense of freedom that taps into pre Columbus traditions, jazz, flamenco, pop, Afro and traditional Cuban. The guitar is his favored instrument to mirror the melodic and rhythmic intricacies of the Americas' cultural diversity.
Listing:: L1707464053
One Touch Theatre
Production details
The famous composer and guitarist Eduardo Martín joins the renowned young guitarist Ahmed Dickinson Cárdenas to create this duo that masterfully addresses the diverse tendencies and styles of the Cuban contemporary music scene. This proposal, with the full repertoire of Mtro. Martín explores Afro, classical and Anglo-Saxon pop among other varied musical genres that mix in the creative universe of this composer while using in a virtuous way multiple techniques that expand the expressive qualities of the guitar. The use of intelligent melodies, the approach to cultures and dissimilar times converge with the Afro-Caribbean nature trying to propose a musical framework in which the stylistic barriers disappear. When Cuban guitarist Ahmed Dickinson Cárdenas first heard the music of fellow countryman Eduardo Martín he felt euphoric. Martín's style has an expansive sense of freedom that taps into pre Columbus traditions, jazz, flamenco, pop, Afro and traditional Cuban. The guitar is his favored instrument to mirror the melodic and rhythmic intricacies of the Americas' cultural diversity. One Touch Theatre
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