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Performance

VenueSouthbank Centre
Also: Royal Festival Hall, RFH, Queen Elizabeth Hall, Purcell Room, Tuff Nutt Jazz Club
TownWest End
CountyGreater London
From28th May 2011
To28th May 2011
When19:30
Southbank Centre (V423)
Current/Future Listings
Listings Archive

London Philharmonic Orchestra

London Philharmonic Orchestra

Work:: London Philharmonic Orchestra (S0621569586)


Company London Philharmonic Orchestra

Production:: (T01322351579)

The London Philharmonic Orchestra brings its year-long survey of Mahler's music to a close with a concert that also features symphonies by two other masters - Haydn and Brahms. Brahms's Fourth Symphony itself seems like a journey embarked upon and completed. The music embraces you like lake water - building naturally before dying away. Its last drops bring the London Philharmonic Orchestra's 2010/11 season to a close as they did their composer's symphonic career. We have a goodbye from Mahler, too. In the songs of Des knaben Wunderhorn (The Youth's Magic Horn) the composer sketches so many of the moods and motifs that find their way into his Second and Third Symphonies. There are flowing ländlers, trance-like nocturnes and prophetic marches. But there's immense textural skill from the young Mahler, too, who gifts his musical lines the clarity of an engraving.
Conductor Vladimir Jurowski
Performer Christian Gerhaher (baritone)

Listing:: L748924724




Current production:Work

Production details

The London Philharmonic Orchestra brings its year-long survey of Mahler's music to a close with a concert that also features symphonies by two other masters - Haydn and Brahms. Brahms's Fourth Symphony itself seems like a journey embarked upon and completed. The music embraces you like lake water - building naturally before dying away. Its last drops bring the London Philharmonic Orchestra's 2010/11 season to a close as they did their composer's symphonic career. We have a goodbye from Mahler, too. In the songs of Des knaben Wunderhorn (The Youth's Magic Horn) the composer sketches so many of the moods and motifs that find their way into his Second and Third Symphonies. There are flowing ländlers, trance-like nocturnes and prophetic marches. But there's immense textural skill from the young Mahler, too, who gifts his musical lines the clarity of an engraving.

Reviews

No UKTW or User reviews available.
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