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In a futuristic place of transit that could be anywhere between a pop-up shop and a museum, post-human bodies act as vessels for an infinite loop of movement that seems familiar and alien at the same time. In her first visit to Tramway since the very first DIG, Colette Sadler presents the UK Premiere of her bold new work, taking its cue from the sci-fi genre, and searching for an interface between virtual and physical reality.