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Love, Sex and Apps: Border Control and The Tinder Game archiveThe rules of dating and love have changed. If social media is an extension of ourselves, how can we prove we love someone online? What does Tinder say about our generation's need for love and connection? Can you judge whether two people are in love by their Facebook posts? Love, Sex and Apps is a double-bill of multimedia plays, The Tinder Game and Border Control, from award-winning playwright, Michelle Sewell, which takes a brutally honest look at the way we communicate and relate to others in our digital world. The Tinder Game is a comical and haunting play about a young generation's morality and its desperate search for connection. Enigmatic twenty-something Liz joins the world of Tinder to play a game of obsession, lust and betrayal in the hope of winning love. This production takes real tinder app conversations and interviews from tinder daters, fusing them into a spectacle that blurs the boundaries between fact and fiction, the virtual and the real, the physical and imaginary spaces we inhabit.

Cast/Performers

Geoffrey Wolfe, Olivia Onyehara, Jay Oliver Yip

Creatives/Company

Author: Michelle Sewell
Company(s): Over Here Theatre Company, Scotch Bonnet Theatre
Director(s): Lydia Parker, Emily Collins (assistant director)

Love, Sex and Apps: Border Control and The Tinder Game

Love, Sex and Apps: Border Control and The Tinder Game (Play) production archive for QTIX code T1472772106. Details of all Love, Sex and Apps: Border Control and The Tinder Game archived productions can be found under the QTIX code: S01580745011

Archive Listings

22 Nov 16
  to
3 Dec 16
Bread and Roses
Inner London, Greater London
Performance Details => Venue archive

Reviews

No UKTW or User reviews available.
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CORONAVIRUS: All venues in the UK were shut down on March 16, 2020, and the restrictions were finally lifted on July 19, 2021. It is important to mention that the UK Theatre Web archive listings (iUKTDb) from March 2020 to July 2021 might not be accurate due to the lack of information regarding rescheduled and cancelled shows.

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